FirmanALLAH di dalam AL QUR'ANUL KARIM : LAA HAULA WA LAA QUWWATA ILLA BILLAHIL 'ALIYYIL 'ADZIM." Tidak ada daya upaya dan tidak ada kekuatan melainkan dengan ALLAH yang maha tinggi dan maha besar "MAHA BENAR ALLAH DENGAN SEGALA FIRMANNYA KALIGRAFI ARAB; Cari duit.

ArticlePDF Available AbstractThis article reveals the history of the rise and the development of calligraphy in Islam. By referring to the history and texts of al-Quran, this articles shows that Islamic calligraphy have undergone some significant development because of the textual effect of al-Quran and the al-Sunnah which highlight the necessity of calligraphy for Muslims. The prohibition of drawing living things raised by fuqaha in the medieval age even intensified the development of calligraphy. Then, in its development, Islamic calligraphy is not only an artistic expression of Muslims, but, for centuries, the Sufi have been taken the wisdom hikmah of spiritual aspects of calligraphy. Some of them talked about the symbol of scrip/letters and words, about the detail shapes of scripts, and some other explained in detail the teaching principle of the existence through the symbols of ink and pen. This article emphasis that the beauty of Islamic calligraphy does not only touch the artistic dimension with all its various type, but also it intertwines intensively with the doctrine of esoteric, aspect of Islam Discover the world's research25+ million members160+ million publication billion citationsJoin for freeContent may be subject to copyright. KALIGRAFI DARI NAI-AR SENIHINGGA SIMBOLISME SPIRITUALIslah GusmianAlunni 52 Pascasafana IAIN Sunan Ka$aga taltun 2002rritIr-i-; l3l3 .J.-yl dJl j b-lE4jrJFll irjji illn ,',-rtl hA ui6l4! o-l-/' dils ir,..J'll },jtill Ojrc Ol J+i ls!3 e+.+-,rEllr j$ cFJ*, JJfulSll d,l5 .,rt i,J,,tI f+L!l OI-,r.!l F-F rJ+J.,. l$ cE3'oiar."cJS-9 o[rsJ" I p-J gc e[nil r-u"+ " c-i',]H^l*ll Or$ i J-lrl'll iir-l J! , lie,g_r;rJl l-6l,rill\i-,r-r+ r',iitl d,JnL^ll tJ-*. , +- n+-r'll ljt.ll Orrg -lrln "S C, i-..JFll lJtrll OJ,s LIlr i-'i1-6iillfuJ,ill DL. j O*Sr-ll u, dlli iF -isi .J+,,,..,-i,p-Yl ,'-ill C,-t**llulS 'a+-*Jl bJ"rll dXi d" r/L-l .-u. la. ge , i.?Kll L.<- . l5^ll,-i3Jsll ,Ll*-Jt,'U- drl-lS!l-; -i-l-r-lljr"-l UFJ+ i,;JgiJll LF+aL"-djr .i-l-rll p'1 rlti u .r+ll i\r uJ-& cF . ieoii y i' t rLrtl O's uf jl^ll J_-Ec' S3l,',-ltl la1 .6'lill'.,J-Yl u"ll j ,Jrs lil Yl l$L+ d$ e!-r-,rll dtl .iJJ+ $cAbstractThis aticle reaeab tbe bistory of the ise and the deuelopnent of calligrly inIslan. 81 refening to tbe bistory and texts of al-pu{an, this article shows tbatIslanic calligraplry baae *ndergone sone signifcant deuehpments buause of tbetextual tfta of alpurtt and the al-Sunnah wbich kgbkgbt tbe nenssiy ofcalligrapfut for Mulins. The pnbibition of drawing liuing tbings mised foifuqoho in the medieual age eaeil intensfied tbe deaelopnent of calligraply. Tben,in its dewlopment, Isknic calkgraplry is not on! an artistit expression of Islah GusmianMuslins, but, for cefltilies, the Srfs baae taken tbe uisdon bik nab ofspiritual aspeds of cailigrb. Sone of then talked about tbe gnbok afscripx/letters and words, about tln detail sbqu of scripts, and some otbenexplained in detail the teacbingpircipb of tbe eittenn tloongh tbe gnbols ofink and pen. This aniclr ehais tbat tln beatj of Islanic cailigrlA does nton! toucb the artistic dimerion vitb all its wious jpe, but also it intefiainesintensiae! aith tbe doctrine of esoteric of kaJtgzfi,Islam, inspirasi al-Qur'an, karakter hrrrol ekspresi seni,simbol spritualA. PendahuluanDi antan berbagai bentuk nrlisan yang berkembang di berbagaibangsa di dunia, nrlisan Arab-lah yang mengalami dinemika yang sangatspektakuler dan unik. Karena dalam khzzanah nrlis-menulis, tulisan Arabdalam perkembangannya tidak harrya sebagai simbol .lari suatu bahasaIisan, tetapi telah memasuki wilayah dunia seni dan spiritual. Karaktet-karakter khas yang terkandung d^larra nrlisan Arab dikembangkan sebagaisuatu manifestasi simbolik artistik yzng sangat indah, sehinggamemberikan makna lain di samping makna yang dikandung dalam nrlisanitu sendiri. kwat karakter-karakter tulisan Atab yang khas, para sufi jugamembangun metafor-metafor sufistik untuk menggambarkan pengalaman-pengalaman ymg muncul kemudian adalah, mengapa dalamperkembangannya nuansa-nuansa artistik dan magis begitu kental dalamrulisan Arab, dan mengapa setelah Islam datang wacana arlis menulis didunia Atab berkembang begitu pesat? Pertanyaan-pertanyaan inrlah yangakan ditelusuri dalam kaiian Asal Usul Tulisan ArabUngkapan kot;gof yang selama ini dipakai, berasal dari bahasaInggds yarrg disederhanakanz calhgraply diambil dari kata I-rin hzlhsyang berarti indah dan grqhein yang berani tulisan atau aksara Arrikaligrafi secara utuh adalah kepandaian menulis nrlisan elok dan indah,108 Al-farnihb, Vol. 41, No. 1,2003/1424H Kaligrafi Islamdalam Bahasa Arab disebut kba! yang berarti garis atau nrlisan lengkap ^nt^t^ lain dikemukakan Shekh Shamsuddn al-Akfaddalam l

• Իծе егли
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Polemik H Oemar Bakry dengan HB Jassin tentang al qur'anul karim bacaan mulia Pengarang/Penulis: Subjek: Koran; Nomor Panggil: 297.122 POL Link Terkait: - Deskripsi Dokumen - Status Ketersediaan Dokumen Fisik - Dokumen Yang Mirip - Katalog Pencarian - Website Perpustakaan UI - Website UI

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Kaligrafi Arab : Studi Kasus Di Sekolah Kaligrafi Al-Qur’an PP. Mambaul Maarif Denanyar Jombang,” IAI Tribakti Prosiding dan Seminar Nasional 1, no. 1 (April 28, 2022): 213 – 224, accessed MengenalKaidah Kaligrafi Al-Quran Dilengkapi Dengan 187 Contoh-contoh & Ornamen Islam - Jilid 2 Mengerti Asbabun Nuzul - Mengerti Peristiwa & Pesan Moral Di Balik Ayat-ayat Suci Al-Quran Studi Al-Quran Al-Karim - Menelusuri Sejarah Turunnya Al-Quran Prof. Dr. Syeikh Muhammad bin Muhammad Abu Syahbah Studi ilmu-ilmu alquran hhGnv.

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